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In this pioneering work about the precursor to the comic book, Kelly Boyd traces the evolution of the boys' story paper and its impact on the imaginative world of working-class readers. From the penny dreadful and the Boy's Own Paper to the tales of Billy Bunter and Sexton Blake, this cultural form shaped ideas about gender, race, class and empire in response to social change. This study is an important analysis of a neglected part of popular culture.

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In 1914, the newspaper map or newsmap began to supply readers with the geographical backdrop to the Great War, an important tool in explaining the progress of the war to the public at home. Day by day, for every campaign and battle, readers across the nation were deluged with maps, both in the pages of newspapers and pasted up in town and city streets, allowing them to follow Australian and Allied exploits. Drawn from scant news cables, out of date cartography, and the writer's imagination, a semi-fictional war story emerged, of ANZAC successes and, sometimes, disasters. Our boys were in Egypt, Palestine, Gallipoli, Belgium, Germany and France, in towns and villages most Australians had never heard of. Soon, these places were being discussed, with growing expertise, over maps in homes, pubs, churches and clubs. Those following the war at home were never allowed too close, as censorship rules dictated when maps could be published. Yet 'Where Are Our Boys?' is not simply about propaganda. Maps in newspapers tracked the war's many campaigns and the exploits of our boys, but most impportantly allowed those at home to feel close to their brothers, husbands, fathers, uncles, neighbours and cousins. Maps naturally became central to commemorating events, people and places. The war produced more maps than any time before in history, giving us along the way some of the most beautiful, and sometimes misleading, maps ever published. 'Where Are Our Boys?' tells the story of how the war was fought and won from the opening salvos in 1914 to Gallipoli and victory on the Western Front. In the end, though, these maps were needed most to help understand the conflict and to comprehend the great human costs.

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Many experts recognize that juvenile literature acts as an excellent reflector of the dominant ideas of an age; the values and fantasies of adult authors are often dressed up in fictional garb for youthful consumption. This collection examines a portion of the mass-produced juvenile literature, from the mid-19th century until the 1950s, focusing on the cluster of ideas connected with Britain's role in the maintenance of order and the spread of civilization. Annotation copyrighted by Book News, Inc., Portland, OR

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Albert Sparks Jr. was born in 1929, the only child of Albert and Mamie Sparks. The Sparkses were good people, non-educated, and much influenced by the southern rural, fundamentalist Protestant Church. Two years later, in early Depression times, they built a small brick home in Bodenheimer, a community about 10 miles from Winston-Salem, NC. Albert Jr. was reared in that home-centered, church focused environment, and at age 10 he became a member of Royal Ambassadors, a boys organization at Bodenheimer Baptist. Still a member even now, his leader is a maudlin, highly emotional lady, a teary and true daughter of the Lord. And then, a fellow RA offered him the opportunity to become a paperboy. A new life began! Albert Jr. had a route of 65 Bodenheimer customers, more or less. Every afternoon on his rounds he heard stories...Calvin Butner and his bootlegging, hauling white likker in a Nehi drink truck; Hub and Estelle Doty and their marital problems, and their strange succession of partners. Some stories have follow-up chapters, such as the German POW who walked away from a work detail. A key to the stories is Wellman’s Store, where Albert Jr. meets the truck with his daily bundle of Tribunes. Every day he talks with Cece and Ella Mae Wellman about war news, and he hears gossip from the Ladies News Table. Most chapters have the date and a few headlines from that day’s paper. In the final chapter, on the night of V-J Day, he met “the prettiest girl I’ve ever seen”, 15 years old, and ‘so-o-o soft’. Actually, she’s the RA leader’s niece. And they celebrated V-J Night, or at least they started. “I prob’ly won’t go back to RA’s.”

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